Category Archives: Music

Bighead Tea Drinkers – Live Review & Interview by Tallulah Gray

Ahead of their first headline show at Brighton’s iconic Green Door Store, I sat down with Bighead Tea Drinkers to get a feel for their musical journey and creative process that led them to this moment. From the minute they introduced themselves, their laid-back attitude and comfort with each other was apparent. Pint in hand, all the more eager for their performance, I sat down to ask them a few questions.

“We knew fuck all about music, but we learnt through this bandMarshall Tyce

Freddie Brindle and Marshall Tyce, lead singer and drummer respectively, formed the band when they were only 13-years-old, with a variety of members over the years, but their move to Brighton set in motion the future of the band as we know it today. On the hunt for new members, Marshall and Freddie found bassist Kian Ramsay after moving in together and eventually decided to join forces. With lead guitarist Ellie Rosehart, the story is a bit more cinematic.

“We were at an induction event at BIMM and I had submitted our song Tokyo,” said Marshall, “and Ellie came up to us after and it must have been a week or two before we started rehearsing all together.” I asked Ellie what drew her to this track, “When I first heard Tokyo, I was like this is the kind of band I want to be in… I learnt two of their songs that night and sent it to them like ‘I want to do this'”.

After solidifying their line-up with Kian and Ellie officially joining the band, they faced a new challenge: merging each of their unique musical influences to form a cohesive sound.

“It definitely does all come from different places… which I think makes it unique” Freddie Brindle

From Halsey to Primal Scream to Catfish and the Bottlemen, Bighead Tea Drinkers are tuned in to the sounds of passionate artists from a variety of musical stylings. Their earlier tracks like ‘Never Seen a Fox in The Daytime’ show a clear influence taken the punk and 80s rock sounds, while newer tracks like ‘Tokyo’ blend their influences into a more alternative pop/indie feel. With all the mixing and recording being done by the band themselves, the quality of their single releases is incredibly impressive. “We’ve got a bigger variety of avenues to go down when we’re writing songs now as well” says Freddie on their creative process, “it definitely helps”.

With Freddie at the helm of lyric writing and each band member contributing to the overall sound, writing each of their own parts and collaborating together to create a cohesive track they can all be proud of it’s no wonder these emerging talents are seeing such success.

Hours later after opening acts Q-Days and Not Sarah, Bighead Tea Drinkers take the stage launching first into their upcoming single “Where Is The Love” (to be released on March 10). Right from the first chords it’s clear that this band is something special, they’re tight on stage but still leave room for some stand out moments, particularly from guitarist Ellie Rosehart during their track “When She Goes” and phenomenal drumming from Marshall Tyce throughout.

Their set was strong and dynamic which reflects their discography well and is hopefully indicative of their future releases as well. By the time they finished there was a palpable feeling in the air, an enjoyment of an overwhelmingly fun show but also something else. We were left with the distinct and indescribable feeling of watching something incredible right as it comes into its own.

Mick Robinson catches up with Young Fathers at Chalk and Sollus at Shortts

A cold dark dank Monday night in early Feb. The streets are empty and even the spirits of Brighton’s past are staying inside. I turn the corner of Poole Valley, the worst send off spot for coaches round the UK, and there’s a huge queue of shuffling souls in big coats and hats waiting to get into Chalk. “Fuckin’ hell’ we cry as we join the queue. Rock’n’Roll is still big in our city rain or shine and the draw tonight is Edinburgh’s Young Fathers.


It was the launch of their fourth album, but it was only 2022 when they came to my attention, and they feel like a brand new band. It helps that the gig is priced at a ‘realistic’ £12 – and that also helps explain the big turn out on this inhospitable night.

The 500 enthusiasts quickly settle into place, so standing at the back is pretty much the only option, and anyone familiar with standing at the back at Chalk will know the ‘watching the gig between the heads of the two tallest people in the venue syndrome’, as the band hit the stage to blast of white strobe light and Burundi beats.

Energy flies off the stage as the band cast shadowy silhouettes across the audience adding to the mystique of the band and the excitement of the audience.

A unique sound is extremely rare in ‘23, but Young Fathers have found it – tribal drums are mixed with electronica, off the wall vocals and brooding beats combine with a clever use of layered voices & synths. 
Few words are exchanged between songs and in one of those quiet moments a voice shouts “I love you” through the crowd. For a moment the band smile and nearly loose the thread of a serious stage show, but there is that adoration for them in this room. Suddenly it’s the last song and… No encore. Less than an hour and felt like only half way through a set. The idea of “treat ’em mean and keep ’em keen” is all very well, but that was a bit to short.


That did leave enough time to visit the monthly new band night at Shortts Bar  in the war zone-esque strip of St. James St, the bit between Morrisons & the Co-op, hosted by the wonderful up & coming band Zap Euphoria, having promoted gigs and attended many new bands at the start of their careers over the years. A while back everyone was sounding like an Oasis tribute act, then it was the Arctic Monkeys, and it was refreshing tonight to hear bands trying something new. If anything the new sounds were leaning on a near heavy metal in parts, but not too much, just great musicianship and energy rather than long hair, spandex and guitar solo overkill.

I only caught the set of locals Sollus, but what a great band they are, filling the dance floor on a Monday with crazy passionate fans, a clear sign that they do have something special, a treat of rolling bass lines and powerful drum beats, topped with great guitar and a soaring vocal. Lead guitarist mesmerising as he took on the skills of a young guitar hero Rory Gallagher , a mosh pit soon erupted. 

They were immediately booked em again for a Friday night, April 14th!
The Spirit of true rock n roll keeping our city alive.
Next New bands night is Monday March 6th.

NuSoul Union – Soul Sisters

I’m sitting in NuSoul Studios in Woodingdean – “the coolest & best rehearsal, recording, video & compact venue space locally” – talking to producer Simon Hill and singing coach Gary Whalen who run the studios and Millie, Maisie and Keira, three smart young women who are the vocal group NuSoul Union. Well, there’s a fourth, Libby, but she’s not here – “She’s a bit quiet at the moment, but she’s here in spirit” says Millie, who, at 18, is the oldest of the group. 

“So I’m the mother of the group”. 

Are you sure you want to be seen like that? I ask, and she laughs.

The idea of NuSoul Union came to Simon and Gary a few years ago and different members have come and gone, but the line up has been settled since Keira joined almost two years ago. Now, they’ve got the together thing, the ‘finish each other’s sentences’ together thing.

We’re talking about what they do and how they do it and Simon said “a very big part of the reason it works is that they have four very different voices. Okay, even the kind of bands you could possibly compare them with like En Vogue or Destiny’s Child” – if you’re going to set a bar, set it high – “they’ve not got particularly different voices. They’re all great singers, but what we do is something different, we’ve got four very different voices.”

What do you mean, different voices? Do you mean like The Temptations or something where you have a very low, bass guy and… 

“Let’s show you” said Gary. And they get up and walk over to the white grand piano – yes, there’s really a white grand piano in the studio – and break into a beautiful accapella version of their single “Boy” which is just lovely. They float in and out of the song, enjoying the moment in a way that people who are good and know they’re good do. I was going to say “effortlessly” but it’s far from effortless. They’ve really worked at their craft. They come in every day.

“Yes, every day” said Millie.

“Every single day” said Keira. 

And what do you do, every single day?

“So we do individual lessons to work on our voices independently to stretch, do whatever we need to work on, songwriting and all of that stuff, work on new songs. Make sure the harmonies work, everything’s tight. We’re also working on everything else, dress, clothes, appearance, moves, dance, all that” 

“And then we have our college as well, which is also here”. They’re studying for a Music Business diploma at Sutton District College, where Gary is Head of Performing Arts. There’s a branch in Woodingdean. 

“It’s kind of just everything to do with the music industry. So yeah, we’re in college. Wednesday, Thursday, Friday. Brighton School of Singing on Monday”. 

Since Christmas they’ve played the Brunswick and Shortts Bar in Kemptown, and they’ve got a new EP in the pipeline which they played under a promise “Please don’t share it” and which, OK, I won’t share but I will say it’s blimmin lovely and completely blows away the idea that it’s been largely made by three 16 year olds and an 18 year old.

What’s the best bit, what do you like doing best? “I think the best part is just been able to do it together. We’ve done solo stuff as well, and even though that’s like fun to do, it’s just nicer doing it with your friends. Yeah.”

The New New Wave vs The Old New Wave – by Mick Robinson


Four gigs in one week is quite unusual for me these days, but emphasised the plusses and minuses of each act and also highlighted the differences of each band, especially the old and the new.


Here are the gigs in order;
Sham 69 Saturday in London.
Gemma Rogers Sunday in Brighton 
Working Men’s Club Tuesday in Brighton 
Stereolab Wednesday in Brighton


There were several eras covered, and so it was interesting to compare each band and where they’re at either then or now.


Sham 69, fronted by Jimmy Pursey and with the original line up from 1977, are very much a marmite band in the love or loathe stakes. Mainly due to their original followers being skinheads and violence at all their gigs at that time, followed by chart success & Pursey’s larger than life persona, the fans were passionate, but the haters had plenty of ammo to dislike. 


I loved the band at the time, but I was a punk rocker and there was trouble with skinheads everywhere and going to a gig of theirs back then… that was a definite no no for me. Back then, the kids were not united.


Fast forward to five years ago, and Jimmy had stayed a lot at Hotel Pelirocco, my place at the time. I got on well with him, something which culminated in him offering Dirt Royal, the Brighton band I managed, a support at The100 Club. They were great. It was a mixed crowd, there was no aggro, just a good rock’n’roll band, and I could finally jump in the mosh pit safely. Jimmy was born to perform and always has the audience in the palm of his hand.


Gemma Rogers penultimate gig on her UK tour for her current album, No Place Like Home, at the lovely Hope And Ruin, a great debut full of clever witty observations of everyday life with a bit of a social comment edge for good measure.


It wasn’t as busy as expected, but perhaps isn’t as well known here as she should be. She had a sore throat, but that was pushed to one side with a stunning vocal and stage performance. Like Jimmy Pursey, she’s born for the stage. She has charm, grace, panache and style in abundance, and was wildly received by her passionate fans.


Working Men’s Club hail from Yorkshire, are signed to ultra cool Heavenly Records and are loved by critics – they get all the plaudits – and are definitely on the rise to the next level of fame. A touch of the New Order indie dance crossover best describes their sound. I first saw them at The Great Escape four years ago playing to 30 people in Photomatic in Gardner Street. It was an epic performance, followed by a bigger, but also epic performance at The Latest Bar a year later, now playing to hundreds instead of 50 or so people. I personally felt the charisma and stage presence of singer Minksy was slightly lost on the bigger crowd as he’s very intense, but watch this space as they move into the next stage like Fontaine’s DC  before them.

Finally the unique perfectly crafted lounge Anglo French avant garde electronic pop sound of Sterolab (pictured). They made one of my all time faves – French Disko, an amazing pop song. If you want to check them out, it was perfectly highlighted on a YouTube clip from mid-90s TV show The Word, a clip that still sends a shiver.

https://www.youtube.com/watch?v=IH3aQJj119Y

They sold out at Concorde 2, quite a feat at any stage of your career, and were eagerly anticipated by a crowd stroking their beards, but actually the gig fell a bit flat and me and my pal Dave, over from Australia, left early.

I like a bit of performance with my gigs no matter how innovative or arty, Jimmy Pursey gave a master class, Gemma has bundles of charisma & presence, WMC need to get back to their roots and the Lab need chairs. ✌️❤️

Jazz at The Bronze

There are few things we here at Whistler Towers like more than a bit of jazz in the evening. And maybe some really really good food. And maybe some splendid drinks. So imagine our delight when we tripped all the way over there in Kemp Town (or Kemptown – you choose) to The Bronze, where on the first Thursday of every month, they feature live jazz. The nght we went down we saw the very fine One Hat Trio (pictured) – Eddie Myer, Lol Thomas and Luke Rattenbury – who “play classic guitar trio hard bop with echoes of Wes Montgomery, Kenny Burrell and Pat Martino, with added Afro-Cuban rhythm”. (nicked that from their Facebook page – you might have guessed). And I guess that’s probably true. They’re very good and very cool. They’ve got a residency at The Brunswick, too. 

Your Gull About Town has written about the food at The Bronze before and I’m not surprised. The “slow and low smokehouse” serves up locally sourced smoked food at its finest. Chef David has the best smile and greeting and… Oh, come on. Good food, fine drink and kicking jazz. What’s not to like?  

81-82 St James’s St, Kemptown BN2 1PA

01273 679 220