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Brighton Goes Gospel

Megan Wenham and Harriet Dunlop talk to Louise Channon about BGG and being a community hero

As the Christmas season fast approaches it is obvious none of us will have the usual festivities and traditions we look forward to all year long, as COVID and lockdowns seem to be a never ending cycle of new rules and restrictions.

All is not lost though, as we caught up with Louise Cannon, the Creative Director and Producer of Brighton Goes Gospel to talk about their “the all sing and dancing” 20th anniversary. 

Earlier this year the choir embarked on their biggest challenge yet through recording a new song and creating their own documentary to highlight the best times over the years, all within the challenges of lockdown to ensure they can still spread light this Christmas.

“The idea of the documentary is to cover 20 years of our journey. It will cover footage from previous shows, photographs, artwork, interviews, and the people who have been a part of our journey. We just want to spread a bit more joy, especially this year where it is a lot more needed. We are just doing what we normally do just on a much wider scale.”

The documentary called “More Than Just Singing” also covers today’s matters too and in their own way they will be paying tribute to Black Lives Matter and the NHS.

“Gospel means good news and some people really need that right now. The beauty of gospel music is that it does cover a broad spectrum and people can make it whatever they need it to be for them.

“Even though we are a gospel choir we are not all religious, we are welcome to all religions and non-religious people. The reason we come together is love of gospel music and is all for different reasons.”

Louise’s hard work has not gone unnoticed, and she has been presented with the “Make A Difference Heroes Award” in recognition of all her work. “It’s quite humbling to receive an award as a thank you from the community and from my peers.” The awards are dedicated to celebrating unsung heroes from across the local area, organised by BBC Radio Sussex. 

The Brighton Goes Gospel choir have also been working hard on recording their own version of “With A Little Help From My Friends”.

“We have created joy in a pandemic and still fighting to spread love and this is what the song is about.”

Recording the song during a pandemic definitely had its challenges as you could imagine. As a choir of vast age range, getting people to record their parts of the songs was difficult. “What we did was set up support groups on Facebook live so we can explain to people what we needed them to do. At times we have gone to their house, filmed for them or used our devices if they did not have a smartphone.

“The brave thing about the choir is they are normally together with 120-140 people and singing in a group, but asking people to sing a solo is the scariest thing ever and the wonderful thing is a lot of people stepped out of their comfort zone and nobody bowed out.”

The track will have guest features from renowned gospel artists including; Michelle John, Ken Burton, Paul Lee, Annette Bowen, Nathaniel Morrison, Sharlene Hector, Vula Malinga, Ladonna Harley- Peters and many more. “It’s been about five months in the making, we chose the track back in January and it is a COVID anthem for me.”

https://www.bggchoir.org.uk/

https://www.facebook.com/brightongoesgospel

The Whistler – December 2020

It’s officially winter. The nights have closed in, the straw hat is back in it box and coats are the season’s must-have accessory. Still, we’re out of lockdown and we’re allowed out. Remember that? Out? And if we’ve got to have a substantial meal, well that’s OK too. Lockdown’s had its moments. We’ve met people, well we’ve seen people on small screens, and as long as the West Hill quiz keeps going, so will we (even though we were robbed at the last quiz, positively robbed. Who knew what a Star bar looked like?). 

But remember, if things are hard, if you have trouble getting out and about, Lovely Vinod at Bright News is doing deliveries and helping those who need it. It’s what community’s for. 

Finally, a quick word about us going all 21st century – the website’s got a new look, there’s a new Instagram (@westhillwhistler) and Twitter (@WestHillWhistle) and a re-vamped Facbook page. You can probably guess what that’s called. It’s all very exciting.

And, as always, if you’ve got something to say, drop us a line. Join in. Life’s better that way. 

Merry Xmas / New Year. See you on the other side.

 XXX 

View From The Hill… Nicholas Lezard

When I first came to live permanently in Brighton, I found that my flat was at the highest point on Dyke Road; at the very crest of West Hill. I am in two minds about hills. On the one hand, they can be very scenic in the views they can offer. On the other hand, they are hills, and I am not only unfit but asthmatic, and the incline from the station to the summit of Dyke Road, up Guildford Street would become ever more forbidding each time I had to climb it.

Once I even took a taxi, but I felt too ashamed afterwards to do it again. Well, once again, maybe. The surprising thing is that it took me so long to pop into, at what might be called Base Camp to the Everest that is Guildford Street/Albert Road, the Battle of Trafalgar. 

It was, I felt, a little too close to the station, and extensive research into pubs has taught me that the closer to the railway station a pub is, the more likely it will be to have a reputation for unsavouriness. The people who go to a station pub will be transients: popping in for one last one before their train and caring little for the character of the place. All their trade is passing trade. How silly I was. 

Brighton, I have known for more than half a lifetime, is a place blessed with many pubs, and the more pubs there are the more they are going to have to be good. And so when I finally pushed open the door to the Battle, parched and wheezing from the (checks Google Maps) 177-foot walk from the station, unaided by sherpas, I found that I had discovered one of the nicest pubs I had ever been in. It was unspoiled; it was slightly quirky, architecturally speaking; tastefully decorated (someone there likes both JMW Turner and cricket); and, I discovered, it is one of those places where the fans of the Seagulls and whoever they’ve been playing can drink together without even the hint of anything bad about to kick off. It’s a rare pub that can pull that off: I suspect this has something to do with the mood the Battle generates: benign, and welcoming. The Battle is not a place where battles happen. The beer garden, in summer, is a joy. 

There was some panic last year when rumour had it that it was going to be turned into a sports bar: multi-screen TV, stripped to increase turnover, and lord knows what else; a campaign from regulars seems to have prevented this. When you can again, go in, as a pause during your walk up the hill, and see if you can keep it going for longer than that.

Helping out to eat in

The mark of community is in its willingness to look after everyone. By Dominic Smith

Nine months since ‘Lockdown 1.0’ began, an army of local volunteers remain essential in ensuring some of our most vulnerable remain fed.

The Garden Café, in St Ann’s Well Garden, has been the hub for producing breakfast and lunch food packs for rough sleepers within the city. The café, run by business partners Juliette Bidwell and Natalie Hall, responded to a call from volunteer Gary Morrill to feed those that were relocated to the city’s hotels during the pandemic.

Brown paper bags cover the tables with mountains of ingredients surrounding them – the place resembling a supermarket stock room, rather than a café you’d relax with a coffee and scone. 

How did the café get involved in the project? “Gary Morrill has been coordinating with the council through SWEP (Severe Weather Emergency Procedure). In March he called and asked if we could provide lunch packs. I think this has been an opportunity for the council to reach people that couldn’t have been reached before. Because they are rough sleeping it’s not always possible to help them get in to accommodation.”

As well as council funding, the operation benefits from FareShare, a charity network helping to bring in additional donations from local supermarkets. Local businesses have also provided what they can. “Gary’s the person very much responsible, and has enabled this whole project to go ahead. His belief is that no matter who you are you should be eating good quality food” 

The team have bought in to his ethos – sandwiches prepared for the packs are the same that would be on the café menu. “It’s been a great project to be involved in – I’ve really enjoyed doing it. Without the volunteers we wouldn’t have been able to do it!”

Producing 1400 food packs a week is no small feat, this is a seven-day per week operation. “The biggest challenge at the beginning was making sure everyone was able to work safely while delivering the service. But, you realise how many great people there are out there that wanted to come and help,” said Juliette. “So it’s not been a massive challenge to be honest, it’s felt very and fluid and easy.  “… maybe getting up at 6.30 every morning isn’t ideal.”

Juliette’s positivity is echoed throughout the team; there’s a buzz around the building and a positive atmosphere, as everyone mucks in together – “get your pics now, these bags will be gone soon.” a volunteer joked.

The work doesn’t stop once all the packs have left the café. They work with other food organisations such as East Brighton Food Co-operative and Holland Road Baptist Church to ensure no excess products go to waste. Additionally, the café remains open for takeaways, provides evening meals for those housed at YHA, and contributed 40 food packs for children during half term – “It’s just generally a situation of people helping one another out.” 

For those wondering if they’ll ever see the Garden Café in its familiar state again, the plan is to return to a fully functioning café, though Juliette insisted “I would still really like to continue to be involved in an aspect of helping to feed rough sleepers.”

Our green and Peasant land

How do you shop? Stand in a queue outside a supermarket? Or hang out in the park? Gilly Smith knows

It’s 7.45 on a Friday morning in St Ann’s Wells Gardens and the dog walkers are trading dramas and training tips as the late November wind begins to nip. No-one pays much attention to Barnaby and Manon, heavy-booted and finger-gloved up as they haul their produce from an old horse box turned mobile farm shop onto trestle tables. By 9am a chatty queue has formed as locals flock to stock up on Sussex’s best meat, cheese, fish, dairy and fruit and vegetable from The Sussex Peasant. 

It’s the brainchild of 32-year-old Ed Johnstone, a former recruitment consultant from London whose foodie lightbulb began to flash on a rugby tour to Argentina. “I realised that they had a much greater connection with their food system there” he said. “I felt there was a huge opportunity coming back to England a year later to try to establish that here.’” 

And he did. The trademark trucks have now become a fleet, selling produce across the city every weekend from a handpicked selection of local farms and growers who are the stars of this show. “Toos Jeuken from Laines Organic Growers is a Dutch lady in her fifties who has done this her whole life” said Ed. “It’s not a trend for her. She’s up at four o’clock every morning, and has a real interest in making a difference in how people choose to buy produce.” There are stories behind all the stalls. “Jayne and Michael at Jacobs Ladder” added Ed. “They grow native breed beef and sheep and are all about the whole outdoors. They’re 100% pasture-fed.”

Is it much more expensive? Not if you follow the #lessbutbetter ethos; an occasional 2kg organic chicken may be £15, but a £5 BOGOF (buy one get one free) factory-farmed supermarket bird will very likely have broken its own legs by the sheer weight of its fast-grown, hormone-fed body by the time it’s ‘dispatched’. 

The cost of cheap food has a heavy carbon footprint compared to the light touch of Ed’s pick of producers and he pays it forward. “Every time a customer comes in, they’re investing in this network and their livelihoods. And the fact that every 70p of every pound goes directly to the person who’s grown it is a massive difference compared to how other farmers are getting paid.” 

Karma provides. “Lockdown has been a bit of a gift”, said Ed. “People’s buying habits were changing anyway, but with Lockdown, they’ve been forced to look at how they shop.” So there’s the choice. Queue up outside a supermarket, silently masked up and distanced? Or stand in the park – St Ann’s Wells Gardens on a Friday, Hove Park on a Saturday or outside The Chimney House on a Sunday, chatting about produce with Barnaby who makes their sauerkraut or Manon, a graduate in Sustainable Development and herself a grower? I know where I’d rather shop. 

Christmas is coming and the geese, turkeys, beef, vegetables and cheese boards are all ready to order from the website. You can even get your Christmas tree from the trucks. What about the hungry gap, the bleak end of winter when very little grows? “That is a challenge,” he admits. “But we always have plenty of kale, potatoes, carrots and leaks that run through the season. It’s a smaller offer from the land so it’s about getting more creative in how we cook it. And when March comes again, it’s like we got through the winter and here comes the light.”

Books, music… baby clothes?

Everyone loves libraries. Why not extend the idea? Lucas Castellano finds out

Every parent knows the story. No sooner have you stocked up on your baby or toddler’s new wardrobe than little Johnny has already outgrown the lot.  You’re looking at your bank account and scratching your head while the kids’ clothes manufacturers are gleefully ringing up the tills. It’s the price you pay as a parent, but the cost to the earth isn’t funny.

“I was making organic baby and kids clothes for my company SuperNatural Collections but I got to thinking that the world really does not need me to produce any more baby clothes whether they are organic or not”, said Jenny Barrett, the founder of SuperLooper. “There are 183 million items of unused baby clothing stored in UK homes.” 

Jenny is on a mission to make a difference and created SuperLooper, an online baby clothing library of pre-loved clothes for babies 0-2 years to offer parents a waste-free-wardrobe for as long as they need. ‘And when your child has outgrown them, you just send them back to be loved & looped again’. 

When it comes to sustainable fashion, baby clothing is often forgotten. Of the estimated £140 million worth (around 350,000 tonnes) of used clothing which goes to landfill in the UK every year, baby clothes account for huge portion simply because of how fast they grow. After spending much of her life in the fashion industry Jenny realised things didn’t have to be that way. SuperLooper, a subscription service of around £20 a month enables parents to avoid buying new clothes altogether and to clear out all their outgrown items to share with other families. “You can choose as many clothes as you like.”

The circular economy is an alternative to the traditional way where we make, use and dispose of items, ensuring that the life of a product doesn’t end when it is no longer used. It is re-used, remade and eventually recycled into another product. SuperLooper makes sure that great clothes will be at least be kept in circulation for as long as possible.

So far, the clothes library has over 1600 items to choose from and will have lots more by Christmas “It’s a huge job, ironing labels on, taking photographs then uploading them. It’s all a bit overwhelming but I’m very determined!” 

We know we can do things to help our planet but it’s that further step to make the change which seems to stop most people from actually doing anything. “Just keep on it and don’t worry that it’s a tiny thing because we all know tiny things eventually, become big things. We can all make the difference. We just have to believe.” 

If you would like to join the 

community check them out 

on Facebook @SuperLooper or sign up at www.superlooperlife.com

#Whyownwhenyoucanrent

#ownyourfuturenotyourclothes

Bringing The Light In Lockdown

By Benita Matofska

Chanukkah 2020: like other religious holidays, the Jewish Festival of Lights just won’t be the same this year. Thanks to the constraints of Covid, the annual eight-day festivity starting on December 10th will have to celebrate freedom from oppression in a more restrained way. The story of Chanukkah dates back to 167 BCE, when the Jews of Judea rose up against the oppressive anti-Semitic regime of Emperor, King Antiochus IV. The rebels led by Judah the Maccabee and his followers, recaptured the vandalised Temple in Jerusalem, cleansed it and re-lit the M’norah, the eight-arm candelabra. My favoured part of this story as a child, was that amidst the destruction, the Maccabees found a one-day supply of  Temple oil which went on to burn for eight days. Known as the ‘miracle of Chanukkah’, this is a story of hope, a journey from oppression to freedom. In 2020, the word ‘freedom’ has taken on a new meaning. With lockdowns and restrictions in place, the social activities and community gatherings we usually take for granted have disappeared, replaced instead with Zoom calls and socially distant walks in the park or along the seafront.

Chanukkah has long been one of my favourite festivals. Each year, ten or more families descend on our house bringing their M’norahs to light. My daughter Maia and I make latkes and donuts (foods fried in oil) and we celebrate together as a community. Chanukkah isn’t about mass consumption, we do give small gifts and play ‘dreidl’ a spinning top game where you can ‘win’ chocolate coins, but it’s more about bringing light and hope, appreciating what we have and remembering that together we can overcome oppression. In a year that has seen Black Lives Matter protests and an increasing awareness that we need to come together to challenge racism, prejudice and tackle the pressing climate crisis, the Chanukkah message couldn’t be more apt.

Amidst the pandemic, 2020 has shown us how economic, political and mass social action can have an impact. Cleaner global air, a lowering of emissions, reduced disturbance of wildlife, all demonstrate what can happen when we change our behaviour; bringing hope to the notion that by taking action for the planet, we can positively impact the threat of climate change. As a council member of the Brighton and Hove Progressive Synagogue, I steer our work on the environment. Recently, we have joined the Eco Synagogue movement, in our quest to bring together a caring, sharing community to help protect and preserve the planet. On December 9th, the night before Chanukkah, I’ll be co-hosting our first Eco Synagogue online event, along with Claire Bessel. The Great Green Skills Share will take place on Zoom from 7-8.30pm and will provide a chance to share sustainability skills, hear from speakers in the community and map the green talents on our doorstep.

Channukah is about bringing the hope, to play our part in creating a better future for us all. Let’s take the opportunity to bring some light in lockdown. This year, we all need some of that.

Benita Matofska is a speaker, changemaker and author ofGeneration Share, a book showcasing inspiring stories of changemakers building a more caring, sharing society.  You can find out more about Eco Synagogue or sign up for The Great Green Skills Share on Eventbrite or email benita@thepeoplewhoshare.com

Jim Gowans’ West Hill Watch

So-called “bike-hangars” (corrugated metal sheds for the on-street storage of bikes) might soon be introduced to streets in the conservation area and throughout Brighton and Hove. If councillors on the Environment Transport and Sustainability have their way, these sheds will soon be adding to the unsightly clutter which already disfigures many areas of the City.

It is inevitable that these “hangars” will be as poorly maintained as the existing the on-street waste bins and will represent an additional target for unsightly tagging and graffiti. Councillors seem oblivious to guidance from the Department of Transport’s “Manual for Streets” which recommends the use of the “Sheffield stand” rather than a bike shed for the secure storage of bikes in the public realm. The stand, which is firmly bedded into the ground, consists of a thick steel tube bent into the shape of a square or round arch which allows the frame and both wheels to be simultaneously locked to it.

The stands are already in use at the Seven Dials roundabout where the stands’ stainless-steel finish can even be said to create an attractive feature. While the Sheffield stands are free to use there would be a charge for using the “bike hangars” and as is stated in the rental contract “Insurance is not included. You park you bike entirely at your own risk”. Whilst the security of “bike hangars” is not guaranteed, the impracticality of them certainly is, as each hangar would only accommodate six bikes and might be some distance from the user’s home.

Sheffield stands could secure twice as many bikes in the same space or could be placed at convenient intervals on each road. The  petition which encouraged the councillors to take this idea further was poorly supported, so it is hard to understand why councillors did not see that bike-bins are a bonkers idea.

The smallest art gallery in the world… probably

What do you do with disused phone boxes? Lucas Castellano puts 10p in the slot and gives Sam Toft a call…

If you’ve ever wandered around the streets of Seven Dials to Powis Square you might have come across the rare sight of two telephone boxes side by side. Well, that’s the Dog and Bone Gallery.

After walking past them on her way to the Little Mustard Shop round the corner on Clifton Hill, artist Sam Toft took a closer look one day and found a card which said, “If you want to buy this phone box, phone this number.” Sam, who’s known around the world for her warm, delightful Mr Mustard artwork, got in touch and leased them for a couple years. She set to work restoring, decorating and generally “injecting some more Mr Mustard magic.” 

The magic was in Sam’s vision. Most of us would see an old phone box and ruefully smile, maybe absent mindedly fingering the new shiny iPhone in their pocket. Sam thought something else. Sam, pictured right, in mustard (obviously), thought “art gallery”.      

Sam, who’d previously set up the Little Mustard Shop for her own work and paraphernalia from the world she’d created for Mr Mustard, conceived of the Dog & Bone as a showcase for young up-and-coming artists. When the boxes came up for sale a few months later Sam “couldn’t bear the idea of someone else having them” so she took the plunge. “So glad I did,” she said.

This tiny gallery is now a gift to the community. “The presence of community art in a safely accessible space is more important than ever.

“Art is the universal language and I believe it is essential for maintaining good mental health, especially during uncertain times. Making art in all forms has always been vital for human well-being and the appreciation of art can enrich and intensify our life experience,” said the artist.

From a giant six-foot bunny rabbit making a phone call to a dog in the next booth to a flying Lancashire cheese and onion pie, the gallery never fails to excite.

Who would have thought of buying two square meters and turning them into an art gallery?

“My intention was to try to make a difference. To make them an asset to the square and an asset to Brighton.” said Sam. “Dog & Bone Gallery brings a dose of eclectic art to street level and provides a free exhibition space for both established and emerging artists.

“We’ve brought art to the heart of the community and it’s a lovely thing.” These unique phone boxes, which were looking so sad and run-down not so long ago, have not only spiced up the square, but have given the community a unique landmark which people from across the world would love to have around the corner. 

“I firmly wear rose-tinted spectacles and don’t plan on giving them up anytime soon.”

“If it grows together, it goes together”

Andrew Polmear takes us to France and Spain and the vineyards of the Andes and… Oh, just take us somewhere

It’s four years since I wrote about pairing food and wine. I mentioned then that it’s not a bad idea to pair food with the local wine, since wine styles have developed to go with food. Some acidic Italian reds aren’t much fun to drink alone, but you understand them when you drink them with a pizza.

However, there’s a school of thought that takes this further; which says that “if it grows together, it goes together”. The idea is that if food and grapes have been subjected to the same climate, grown on the same soil, at the same altitude, they’ll match, not because of human intervention but as a natural thing. It’s nonsense, of course. You don’t find many British writers keen on the idea for obvious reasons, although stout and oysters go rather well. In France and Spain however, wedded as they are to the idea of terroir, the idea is met with nods and smiles. So let’s put it to the test. Ton Colet, a Spanish sommelier, has put together a list of pairings to illustrate the principle that “things grown together go together”. I’ll pick three from his list.

Sancerre and a Crottin de Chavignol goat’s cheese. A Sancerre is a full bodied Sauvignon blanc. “Crottin” means horse dung but the cheese is so called because of its shape not its flavour. It does have quite a tang and goes wonderfully with the wine. But the case that they go together because they share the same terroir falls apart when you think of other food from the area that doesn’t go with the Crottin at all; andouillette, for instance. A Sancerre would be hopeless against the power of that appalling dish, even if made with pork that grew up within sight of the vineyards.

How about Beef and Argentinian Malbec? That sounds good – until you realise that they are from completely different terroirs. The vineyards are on the steep slopes of the Andes, cooled at altitude and fed by run-off from the snow. The cattle are down on the plains of the Pampas, a rich agricultural area that would be hopeless for making wine.

Last try: red wine from Priorat in north east Spain and truita amb suc, the local dish. The wine is made from grenache and cariñena grapes. The dish is made from eggs, garlic, spinach, beans, more garlic, cod, paprika, parsley, almonds, yet more garlic and hazelnuts. Yes, the wine is so powerful it can cope but so could any heavy red. An old-style Aussie Shiraz would be fine. 

Want to think about a few more classic pairings that come from the same area? Fino sherry and spanish ham; an albariño white from Riaz Baixas on the Atlantic coast of Spain and fish; boeuf bourgignon and pinot noir, the grape of red Burgundy.

Ton Colet concludes “Nature is wise, giving us access to pairings with such a deep sense of place”. I think that’s fanciful; but humans have learnt to make wine that goes with their food; or even learnt to make food that goes with their wine.