Category Archives: Andrew Polmear

Stories and news about Wine & Cheese

In Praise of Cheese

Cheddar? Camembert? Andrew Polmear has a little nibble

LAST TIME I wrote about the wine that goes with cheese but what about the cheese itself? There are similarities with wine: they both start with a fairly uninteresting and pretty uniform product (grape juice or milk), they are acted on by micro-organisms to ferment or, in the case of milk, curdle. Then they are handled by artisans, or factory hands, to be made into a final product that can be so specific it is unique to that vineyard or farm. 

At our house we have three cheeses on a cheese board: a soft cheese, a hard cheese and a blue. How do they come to be so different? Let’s start with my favourite soft cheese, Camembert. The French were quick off the mark with Camembert de Normandie, which has been protected since 1983, which means it can only be made in Normandy using traditional methods. They all have that distinctive round shape, are wrapped in grease-proof paper and sold in little wooden boxes. But that doesn’t stop the rest of us from using the word Camembert. 

Two things are crucial in the manufacture of any Camembert: when the curds form the whey is drained off, but not forced off, so the cheese has that creamy texture, almost liquid in the middle; and once the cheese has come out of the mold it is coated with Penicillium camemberti. It then sits in storage while the penicillin penetrates to the heart of the cheese, giving it that distinctive mouldy flavour. It’s ripe after one month and goes off soon after that; women in France can be seen taking the wooden lids off the Camembert and pressing it with their thumbs till they’ve found one that they think is perfectly ripe. 

For a hard cheese, how about a Cheddar?  Any bland, hard cheese wrapped in plastic can be sold as Cheddar, but real Cheddar is widely sold and it’s a marvellous cheese. Belatedly, we have protected the title West Country Farmhouse Cheddar for cheese from the West Country made in the traditional way.  It originally came from cows fed on the lush grassland of the Mendip Hills and matured in the limestone caves around Cheddar. But the truth is, they can make wonderful Cheddar as far away as Scotland. The crucial things about it are that the liquid whey is expelled from the curds to the utmost degree, and then the curds are minced and tossed and poured into their molds and pressed. This gives that distinctive hard but elastic texture. Mild Cheddar may be sold at two to three months. Pay a little more for a supermarket version marked Extra Mature and you’ll get a cheese that’s at least nine months old and worth the extra money. In a Which? blind tasting in 2016 Cathedral City Extra Mature (available at Tesco) and M&S Cornish Cruncher three-year-old Vintage came out top. For a blue, in England, the one to beat is Stilton. It’s amazing to be able to report that it’s been protected since 1910 and still only six dairies are licensed to make it. More whey is drained off than in Camembert but not as much as for a Cheddar, so it has a buttery, smooth texture. And, crucially, blue penicillin mould is added to the bacteria used to curdle the cheese. After storage for six weeks it’s pierced with up to 20 needles to let in the air that’s needed for mould growth. 

Again, supermarket Stilton is fine. Good Housekeeping reviewed Stiltons available for Christmas 2019. Lidl came top, with M&S and The Fine Cheese Co. runners up. Only Iceland really disappointed.

Wine to go with cheese

Most of us are finding ourselves eating at home a lot more than in pre-Covid-19 times. In my household it means we eat a lot more cheese than usual, since we consider a cheese course an important part of a proper meal at home. With the cheese it’s very tempting to continue drinking whatever wine we’ve already opened. I think we can do better than that. Here are my thoughts.

When it comes to wine that goes with cheese, it’s got to be red. The only exception is a heavy sweet wine, like Sauternes, that goes wonderfully with very tasty blue cheeses. Roquefort is the usual example. That aside, any red will do, although in principle the stronger the cheese the more powerful the wine. Red is good but it’s not perfect.

To move up a notch we have to go to fortified wines. A dry austere Amontillado sherry is thrilling with any cheese, although it will dwarf a mild cheese, for which you might try a Fino. For those who get confused by the different types of sherry, remember that sherry is made at first like any white wine, but then left in barrels open to the air. If the wine develops a creamy layer of yeast on top, called flor, it becomes a Fino – dry, light in colour with a sharp yeasty tang. If the flor dies off or is killed off by adding alcohol, the wine is exposed to air and darkens, developing that distinctive, austere, almost bitter, nutty flavour with overtones of tobacco and spices from the oak barrel.  That’s an Amontillado. An Oloroso, that’s an even darker sherry which never had flor on top, would be marvellous too, but it, too, must be bone dry. They are much harder to find. Don’t use sweet sherry, not even anything with the word “cream” in the title. Save that for the pudding.

Equally wonderful would be a Tawny Port, again because it’s got that austere dry nutty, leathery tang. Ruby port wouldn’t do. It hasn’t been oxidised so it has a rich fruity flavour that goes with fruity puddings but not cheese. Ruby port is either matured in huge barrels or in tanks or even in the bottle. Tawny ports start off like ruby ports but spend longer – much longer – in much smaller barrels, slowly oxidising, turning brown and leathery, losing all that fruitiness but developing that spicy, nutty, leathery essence.

If we were really celebrating I’d ask for a glass of Madeira. Malmsey is my favourite but I’d settle for any of them. It’s not unlike port in the way it’s made but it’s from a different grape, different terroir and, unlike port, it’s gently heated while oxidising. Like port it needs to be at least 10 years old; then it’s heavenly.

But how can anyone manage to drink wine with the meal and a fortified wine with the cheese? The secret is to stick to small amounts. You only need a mouthful of the fortified wine. Then put the stopper back on and keep it somewhere cool. That way you’ll stay within your 14 units a week. And the joy of these fortified wines is they will last for months once opened. After all, at Downton Abbey they sit for years in decanters on the sideboard without going off.

Andrew Polmear

White Rioja

Andrew Polmear writes for the love of wine . . .

I LAST WROTE about red Rioja in June 2019 and said that the white wines of that glorious area would need their own article. I didn’t then write such as article because, frankly, I thought there wasn’t much to say. All the white Rioja I’d tasted had been decent, full-bodied, with a light, occasionally lemony tang, but without much individual character. Indeed, they only planted vines for white wine in Rioja in the first place to add them to the reds to soften the harshness, not with a thought of ever making white wine. Then, at a Rioja tasting at L’Atelier du Vin at Seven Dials, I tasted a white from 2008 which overturned everything I’d understood. It was full-bodied all right but the flavour was of toast and caramel, of nuts and marzipan. This, I now realise, is the true old-style Rioja white. The grapes are the same as in the ordinary white wines (Viura, Garnacha Blanca and Malvasia). The thing to look for on the label is the word Crianza. This guarantees that the wine has been aged in oak for at least six months. In fact, to make these rich stunning wines, they are often aged in oak for three years then matured in bottle for 3 to 12 years. The wine I tasted was by one of the great Rioja firms, Lopez de Heredia, from their Gravonia vineyard. You can buy their 2005 version from Berry Brothers for £37 a bottle. Continue reading White Rioja

L’Atelier du Vin

Andrew Polmear writes for the love of wine . . .

I’VE ALWAYS THOUGHT of wine bars as being like the iPad. There we were, happy with our laptops and our smart phones, unaware that we needed anything in between. Then we saw what a lovely piece of kit the iPad was and we made it part of our daily lives. So it is with wine bars. We had pubs, some of which served decent wine; we had cafés and restaurants; so where was there room for something else? Step into L’Atelier du Vin on Dyke Road, just south of the Seven Dials, and you’ll find out. You are immediately cocooned in a warm, old-fashioned atmosphere of good taste, where armchairs have cushions, shelves have books on them, and Charlie attends to your needs as though he has all day just to talk about the wines on offer. Continue reading L’Atelier du Vin

A Wine Lover’s Dream at Bright News

What wine-lover has not, at some time, dreamed of owning a vineyard, whiling away long hot summers watching the grapes ripen, a glass of last year’s vintage in hand? A few are foolish enough to try it. A very few actually make a success of it; although, as the saying goes, you can make a small fortune out of wine-making, but only if you start with a large fortune. I’ve thought about this a lot, so imagine my interest when Colette, our co-editor, alerted me to the fact that Vinod Mashru is selling wine at Bright News, in Buckingham Road, that not only has his label on it, but which has been produced by a partnership between his family and a Spanish wine-making family in Rioja. Continue reading A Wine Lover’s Dream at Bright News