Category Archives: Brighton Open Air Theatre

Outdoor cinema: By Fraser Simpson

As the summer months draw near, the ability to be outdoors in more desirable weather is more than possible for local residents. Even for activities held indoors, there will be outdoor events for those hobbies to provide an alternative to sitting inside a venue for a few hours this summer.

If you’re keener on films, then Picturehouse will have you covered. Organised by staff members at the Duke of York’s Picturehouse, Picturehouse Outdoor Cinema is an ongoing addition for over a decade to Brighton’s cinema landscape, taking place at Preston Manor South Lawn & Garden.

The benefit of the Outdoor Cinema, according to Sam Harris, a regional marketing executive for Picturehouse’s London and Brighton cinemas, is the increased amount of freedom they have when it comes to going about their showings. As Sam puts it, “It gives us a bit more space to have more fun, it’s not just people turning up for the film, getting their popcorn, and going into the screen, it’s more like event cinema, and everyone there is on the same page and relaxed.”

Outdoor Cinema will have 12 different screenings over two weekends each in June and August. Cult classics, personal favourites, and films from the 1970s to today, Sam ensures that the programming offers films that cater to everyone’s taste. He believes that because of the wider freedom of Outdoor Cinema, “You can have a lot more fun with the programming in that sort of way.”.

Undeniably, the higher temperatures during the summer months can result in higher chances of extreme weather, which could lead to screenings being cancelled. Sam is aware of this, and jokes that “You can’t go to an outdoor cinema in Britain and expect it to be sunny all of the time”. However, depending on the film, it could add to the experience. Sam remembers doing a screening of Top: Gun Maverick a few years ago on an incredibly windy day, and noted “It’s like 4DX, it’s like you’re really in the sky flying.”

Previous showings at Preston Manor have included the likes of Jaws, Mamma Mia, and Rocky Horror Picture Show. Whilst the selection for this year’s offerings at Preston Manor is still undecided, Sam promises that there are “some really fun ideas, there’s going to be some music, some bangers, some old favourites, the lineup is maybe the best we’ve ever done, I hope.”

If outdoor cinema isn’t appealing, perhaps outdoor theatre may interest you. Brighton Open Air Theatre (or BOAT for simplicity) has been at Dyke Road Park since 2015, founded by the late Adrian Bunting, whose vision of an outdoor theatre has lived on through the founding trustees of BOAT. Last year, to mark 10 seasons since opening in 2015, BOAT opened with Adrian’s play ‘Kemble’s Riot’, an Edinburgh Fringe award-winning play.

BOAT themselves are a charity organisation, meaning they don’t get any funding, and instead fundraise themselves each year through ticket sales, donations and profits from the bar. Nevertheless, Tanya Macleod, the operations manager at BOAT since 2018, believes there is a certain kind of magic about the venue. Calling it ‘the theatre that friendship built’, she said, “The site and location are gorgeous, when all the wildflowers and the sun are out, it’s magical, and it’s quite traditional, not just because it’s a Greek amphitheatre, but because we’re part of a touring circuit of companies who arrive, they perform their show and then they go off. It has that village community feel to it that’s quite rustic.”

The longstanding nature of BOAT has meant they have built strong relationships with companies over the past decade. Whilst Tanya understands that some companies might not come back, owing to reasons such as some shows not translating to outdoor theatre compared to indoor theatre, she said: “We’re always encouraging new companies, there’s a lot of handholding, to begin with, whilst they get used to this unique setup. It’s an overview of a giant puzzle, but we want to give everyone a fair chance.”

BOAT’s lineup this year starting from the 2nd of May, as described in their brochure, ‘offers a wide selection of shows, including some old favourites as well as new and exciting productions’. From the likes of Shakespeare plays such as A Midsummer Night’s Dream, to their annual Summer Comedy Festival, where the showing featuring famous comedian Romesh Ranganathan sold out in a record 8 hours, to I Joan, a modern re-telling of the story of Joan de Arc, there is something for everyone this summer.

As the summer draws nearer, perhaps it might be worthwhile to experience a new change of scenery and experience screenings in the warm and sunny outdoors at either Preston Manor or Dyke Road Park. You’re more than likely to end up finding something worthwhile that you won’t regret attending.

https://www.picturehouses.com/outdoor-cinema/venue/preston-manor

Pic: Laura Mukabaa, Brighton Open Air Theatre, 2024 (copyright provided by Tanya Macleod, BOAT)

Ten years of Brighton Open Air Theatre


Summer wouldn’t be summer without a night in Dyke Road Park, watching a play at the Brighton Open Air Theatre, glass in one hand, blanket in the other. Peter Chrisp looks back at what’s happened to Adrian Bunting’s dream

This summer, we’re celebrating the tenth season of Brighton Open Air Theatre in Dyke Road Park. It’s the legacy of Adrian Bunting (1966-2013), theatre maker and construction manager. 

Adrian had been thinking about building a permanent open-air theatre in Brighton for years. He knew what the theatre should look like, and had even picked the perfect location, the bowling club in his local park. Yet it seemed unlikely that it could ever be done.

In April 2013, when Adrian was diagnosed with incurable cancer, the council announced it was looking for a new use for the bowling club. Adrian spent his last weeks initiating plans to build his theatre there, and asked five close friends to help create it. 

Interviewed in the week before he died, Adrian said, “I lived in Seven Dials for nearly 22 years and I had this idea for building an open-air theatre for Brighton, and because my favourite park is Dyke Road Park, I would constantly go up there and imagine putting it there. And the bowling lawn was always the place that I dreamed of – it’s a magical place, with its own copse, hidden from the world…But of course it was a bowling lawn. You’ve heard about my unfortunate illness. That, combining with the fact that the bowling green is no longer needed, was almost too big a coincidence to think about. I really think that Brighton deserves an open-air theatre…that one of the most artistic towns in England can have a theatre that it can be proud of, alongside all the big, beautiful theatres inside…And this is a chance for us to make one, and enjoy it for the whole of the summer.”

Adrian left his savings of £18,000 for the project, and £100,000 more was raised by benefits, art auctions and donations. It took just two years to create the theatre, which was opened by Adrian’s mother Isabelle on 9 May 2015. Adrian used to say, “I want the audience to be part of the show.” As a theatre maker, he always wanted to break the fourth wall, the imaginary barrier between audience and performance. He did this on an intimate scale with his World’s Smallest Theatre, which he took to Edinburgh fringe in 1996. This was a box, with just enough space for the heads of three people – one audience member and two actors, Adrian and Clea Smith.

He broke the fourth wall on a big scale with his play Kemble’s Riot, which won best theatre award at Brighton Fringe in 2011. Here the audience takes sides in the 1809 riots at Covent Garden Theatre, sparked when actor-manager John Kemble raised the ticket prices to cover the costs of rebuilding the theatre.  

The most striking feature of Adrian’s plan for BOAT is its long-thrust stage, which brings the performers out among the audience – another way of getting rid of the fourth wall. You can see how radical this is if you compare it with earlier open-air theatres, such as Regents Park and the Minack in Cornwall, where audience and stage are separated. 

Claire Raftery, one of the founding Trustees, recalls, “Ross Gurney-Randall and I measured out the planned dimensions for the BOAT stage – with 30 metal pins and a rope on a sunny afternoon in Victoria Gardens – adjusting dimensions to make sure it would work, and trying out different types of performance in relationship to audience proximity. The stage needed to be large enough for larger casts and ensemble shows, for movement and dance, whilst making sure it had enough intimacy and connection for solo performer….”

BOAT’s tenth season began with a revival of Kemble’s Riot, staged by Brighton Little Theatre. This was the first performance of the full-length version, as written by Adrian. Audience members sang songs and made their own banners, writing slogans such as “No to Kembleflation!” or “We love you Kemble!” 

I went to the show with three of the founding Trustees, James Payne, Steve Turner and Donna Close. After, we talked about Adrian’s stage design, and how this was the perfect meeting place of a play and a space. James said, “He was rightly proud of this innovative design. I can’t help feeling that it has inspired other open-air theatres. Take the Thorington woodland theatre for example, not to mention the Downlands theatre in Hassocks.”

In Brighton, we didn’t realise just how much we needed a purpose-built open-air theatre until we saw what the space could do. Alongside drama, BOAT has hosted wrestling, opera, rock concerts, circus, contemporary dance, poetry slams, live art, drag in the park, Glen Richardson’s epic one-man recreation of the Live Aid concert, and stand-up comedy for dogs. In 2020, we had a midwinter pantomime – Hansel and Gretel.

Many companies make use of the whole space. Wrestlers enter through the audience, with the heroic blue-eyes high-fiving, and the heels getting whacked by children with inflated clubs. Suspiciously Elvis will do walkabouts, even sitting on people’s laps mid song. By the end of one of his magnificent shows, half the audience has joined him dancing on the thrust stage.

It’s lovely to watch the sky above change as the sun goes down, and listen to the birds singing in the trees. Even rain can bring extra drama, such as the time during Mark Brailsford’s production of Julius Caesar when real thunder and lightning accompanied the storm in Shakespeare’s play. 

What a remarkable journey. BOAT now runs for a six-month season, staffed by a small expert team, its Trustees and upwards of 80 committed volunteers. Without public subsidy, BOAT is kept afloat through income from ticket sales and from donations, with any profits invested into making the venue even more accessible, green and welcoming. 

Take a look at this year’s programme on the BOAT website; there are lots of great shows to see until the end of September. If you’ve not yet been, you’re in for a treat.

Brighton Open Air Theatre, Dyke Rd, Brighton and Hove, Hove BN3 6EH

http://www. brightonopenairtheatre.co.uk/

07391 357542 (Mon-Fri, 1pm-6pm)