Mutations Festival


Mutations Festival has a reputation for being the launchpad for next year’s big names. But with 90 acts playing nine venues over two days, where do you start? Loulou Novick peers into her crystal ball and takes her pick 

Catch them now because next year, they may be headlining the O2! Some names you’ll already know, others might ring a bell, and a few are about to become your new obsession.

With past performers like CMAT and The Last Dinner Party, Mutations has earned its reputation as the festival for discovering what’s next. It’s not just about hearing great music, it’s about finding the artists who are about to break through.

Across two days and nine venues – Chalk, Patterns, Revenge, Hope & Ruin, Green Door Store, Dust, Prince Albert, Folklore Rooms and Alphabet – Mutations delivers a thrilling collision of styles, sounds and scenes. This is where tomorrow’s headliners earn their first encore.


Lambrini Girls 

There’s been a surge in female punk acts across the UK. Bands led by women and non-binary people are not just filling support slots, they’re demanding the stage, bringing political urgency, raw energy, and playfulness together. Brighton’s very own Lambrini Girls are leading that wave, and are set to take the Saturday headline slot at Mutations Festival 2025, a crowning moment in their skyrocketing year following their debut album ‘Who Let The Dogs Out’. This is more than just a gig, but a statement. Punk is evolving, expanding, and rewriting the rules. If you’ve seen them live, you know what you’re in for, it’s a mix of chaos, catharsis and pure punk joy. 

Dry Cleaning

Dry Cleaning are a band you can’t help but get excited about. Formed in 2017 in south London, they’ve been quietly reinventing post-punk ever since. Fresh from recording their third album with Cate Le Bon, their jagged, groove-driven sound is unmistakably sharp – think Wire or The Fall – but made entirely their own by Florence Shaw’s deadpan, spoken-word vocals. Once an illustrator and university lecturer, Shaw brings a wry, magnetic presence that turns every song into a story you can’t stop listening to.

Congratulations 

If you see one band this year, make it Congratulations. My personal favourite after seeing them at The Great Escape this year. Their sound is bold, inventive and built for performing. With effortless, joy-filled crowd work and unstoppable energy, Congratulations turn every show into a surge of pure adrenaline and fun. Check out their single “Get 2 Me” for a taste of what’s coming.

Vraell 

And now, something completely different. Vraell is a classically trained guitarist who creates enchanting “guitar meditations” – delicate, immersive soundscapes that drift and shimmer. Picture a more ethereal, introspective take on the Durutti Column.

Pan Amsterdam

You’ve got to love New York based Pan Amsterdam, who says, “It’s a dope curation that I’m psyched to be a part of and look forward to hitting.” Their sound is cool, funky, with just a touch of hip-hop and fresh, irresistible grooves. Add in some unexpected horns and jazzy twists, and you’ve got a set that’s impossible not to move to.

Jools

Leicester’s own Jools are here to shake things up. With their raucous, guitar-fuelled punk energy, they’re exactly the kind of band that makes you glad live music exists. “We’re super excited to be playing Mutations Festival alongside so many incredible artists. We’re huge fans of the festival and can’t wait to finally play!”

My Precious Bunny

A new project from Brighton’s Lily Wolter (of Penelope Isles), beautiful songs of youth, love, and heartbreak, stitched together with tasty synths, distorted acoustic guitar, and four-part harmonies. 

Ladylike

From the picture you’d be forgiven for thinking we’ve got another noisy punk band, but Brighton’s Ladylike are not that thing. Delicate and possibly a bit folkie, possibly a bit shoegaze. “We’re very excited to be playing this year’s Mutations Festival. It’s such a great celebration of new music in our hometown, so we feel honoured to play!” 

Mutations Festival

November 7 & 8, various venues 

Check out https://mutationsfestival.com/ for venues and details 

Music Review: Gloma at the Hope & Ruin by Alex Hill

It was one of those instances where you feel you’re being undeservedly spoiled. The Hope and Ruin had a gig on – nothing unusual, granted – the fact that four bands were on the bill and it was completely free however made it seem like an astoundingly good deal. I cleared my schedule of whatever plans I might’ve had on a Sunday night to embark on this four hour long musical extravaganza (bring your camping chair!). The fact I hadn’t heard of any of the bands playing made the whole thing even more intriguing. 

From what I could work out, the headliners were Gloma, and the occasion was the release of their brand-new EP. Uncharacteristically, I decided to do some prior research and came across the music video for Gloma’s new song “Gossamer”. I liked what I heard, and the fact that they were all donning ski masks for the inverted colour video shoot out in the woods created a first impression of a much more intimidating looking version of Kneecap, perhaps. Or a homemade take on Slipknot. I digress. 

The first band was an alternative metal trio named Sunlifter; they were heavy and emotive in equal measure. Contradicting their intense and well-polished sound with heartwarming sentiments (“This next song is about love, so hug the person next to you”… everyone did). Three-piece bands are always fun to watch because they have usually achieved some kind of mastery of their instruments – and these guys are no different. 

Teasing into the next band when their singer was brought on stage for Sunlifter’s last song – the second band in the list were a crazy, screamo-metal band. Quite unexpected really; at this point was also where the whole show got very mosh-pit oriented. Not good when you’ve got half of a £6 pint left in your hand. Mashed were extremely heavy; the singer had seemingly unending energy as he bounded round the stage screaming at the top of his lungs the entire time, how do they do it? I was just thinking how they sounded very nu-metal and Korn-esque when they announced their final song and burst into a faithful cover of ‘Blind’ (with a bit more screaming).  

Seethes’ brand of churning, thumping heavy metal was a hit on stage. Once again, very intense – screams of ‘no mercy’ echoing the room before a breakdown of pounding drums and slow, heavily distorted guitar and bass. Despite my thirst, I was too apprehensive to buy another drink at this point; any unfortunately swung limb from the mosh pit could have led to disaster. 

The big headliners; Gloma delivered on the anticipation with their unique mix of shoegaze and heavy metal. Artfully switching between slow, atmospheric and jangly to heavy and fast paced with a bass heavy, whirring guitar sound.  I was pleased to see they wore the ski masks on stage, and their new single is great. They’re relatively small at the moment, but I reckon these guys are going places. 

All in all, it was a very good night. Maybe It wouldn’t be my first choice to see a stack of high energy, vicious heavy metal bands like this lot – as evidenced by my missing the memo on the dress code – but I did enjoy myself. And it was free. Did I mention that? There’s often plenty of free gigs showing off the Brighton up-and-comers which are always worth going to. Life’s a journey of discovery after all. 

Nicholas Lezard – September / October 2025

Of course the big news round here is the opening of Ikea. My friend Ben rang me up the day before the opening. He lives in Kemp Town which is miles away from Churchill Square but he’s very fit.

“I’ve got a proposal for you. You’re not going to like it at first, but there is a reward.” At this stage I do not have the faintest idea what he is talking about.

“Really?”

“A potential reward.”

“They’re opening a new Ikea. And they’re giving out vouchers to the first hundred people who show up on the day.”

“And?”

“Well, most of them will be for £1. But there will be one for £10,000, and one for £1,000. So if we turn up together we have double the chance of winning a ticket.”

“I presume there’s a catch.”

“Well, they’re vouchers you can only spend in Ikea. And you have to go on their website and register as a friend of Ikea. Or family or something. But you have to register, cos if you don’t, you won’t get the money, and if you cock that up, I will never forgive you. Ever.”

He suggests that I get there at 6.30am, 7 at the latest. I try to explain that I am more likely to go to bed at 6.30am than get up at 6.30am, and he tries to explain to me that one in a hundred odds of getting £10,000 aren’t only not bad, but they become better if they are reduced by half. It might mean only £5,000 each, but that’s still not to be sneezed at, especially considering the initial outlay.

But the outlay for me is too much. That is, the early start. I sleep in, and put my phone on Do Not Disturb just in case he tries to ring me.

Later in the day I get in touch. Did he go there in the morning? He did.

“It was incredible. The whole of Churchill Square was packed. There would have been no chance we’d have got even one of the £1 vouchers. You know, even if they’d brought the Turin Shroud over to Churchill Square, with the Pope making a personal appearance, they wouldn’t have got more people there.”

So my decision to have a lie-in was vindicated. A few days later, I popped down to Churchill Square to see how it was all going. I also fancied a bedside reading lamp. The queue, on a Thursday, at noon, or noon-ish, was not the longest I’d ever seen; but it looked like a good twenty minutes, at the very least; and I’ve never been that much of an Ikea fan anyway. But at least, in Brighton, they’re making good use of vacant premises (the old Debenhams, where I would buy shoes and bedding and curtains); unlike – and allow me to bring it back to this – those bastards at the Co-op, and their plans for expansion at Seven Dials.

Nicholas Lezard – July/August 2025

I have written about the Regency, my favourite Brighton restaurant, before: every so often, when I am in funds, or someone else is paying, I stroll down the hill to this venerable seafront establishment in order to gorge myself on oysters or, if there is no R in the month, whitebait. Sometimes both. Portions of the latter are large enough that even as a starter there are plenty.

Now, everyone knows what an oyster is like, so I won’t describe them. If you’re serving fresh oysters, you can’t really muck them up. Whitebait, on the other hand …

The whitebait I had become accustomed to at the Regency were crunchy fish from heaven, coated in breadcrumbs and deep-fried, but never greasy. They were like fun-sized fish fingers, only… fish. There is something appealing about eating an entire animal in one mouthful, if you like that kind of thing. (Cf. oysters.) If you don’t then my apologies, and I hope I haven’t offended. But Brighton is very much a live and let live kind of place.

Or is it?

A few weeks ago some money miraculously found its way into my bank account and down the hill I went to the Regency. All the way down I was thinking about whitebait; so I ordered a plate. I did not think to ask how they were prepared, for I had been going there for years and knew what to expect; or I thought I did. For when the plate arrived, it wasn’t a plate of breadcrumbed paradise, but a plate of nude fish, with a dusting of paprika on top. I forked a few mouthfuls and then gave up. Imagine how disappointed you’d be if you’d gone to a fish and chip shop and found that your cod or whatever had been served without batter,

I tried to have a word with the waitress but she was new and hadn’t quite mastered the English language yet – when it comes to their waiting staff, the Regency’s policy seems to be to hire on the basis of beauty and a general keenness, not fluency in the language. And quite right too, I think. After about ten strained minutes of communication in pidgin and hand gestures, I was given to understand that this was the new whitebait situation, and that if I didn’t like it, then that was too bad.

Well, we are not put into this world for pleasure alone, and one must be philosophical. But when I went there a couple of days ago, with the very editor of this magazine, as it happens, I asked again about the whitebait, and it was confirmed that they were still the unbreaded kind. I gave a little pout and said that I had really liked the old-style way of cooking them.

“People didn’t like them,” said the waiter.

I find this hard to believe. The only explanation I can think of is that everyone has become coeliac and can no longer eat even breadcrumbs. But that can’t be right, can it?

Nicholas Lezard – May 2025

There is a group on Facebook which, if you use that thing, I recommend you join. It’s called “Brighton Skies” and the description of its page goes like this: “Photos of Brighton skies, sunsets, sunrises, clouds, blue sky, the stars and the moon or interesting things spotted up there. Created by artist Faye Bridgwater”. I stumbled across it a couple of years ago and thought: “ooh, there are some lovely pictures here.” Faye Bridgewater is an artist of whom I confess I had not heard but she runs a lovely website. Or page. Or whatever you call them. You know what I mean.

I am, I admit, a sucker for local FB sites which are mainly devoted to moaning (and often they moan with good reason; but the best moments are when people moan without; or when at least there is an unstable balance between the moaner and the thing being moaned about – that is, everyone is wrong, which makes it funny). There are of course thousands of these so one has to whittle it down and only look at the ones near you. I find the Seaford and Peacehaven pages particularly moving. The Seaford one says “(Official)” after its name which makes me wonder whether it’s a parody, and many of the comments that get published there suggests it is: but it isn’t. Such are the times we live in.

Anyway, never mind them (although I wish them well). What happened was that I posted a photo of the view from my living room. The cloud was heavy overhead until the Rampion Array: then the sky opened and you could see a band of bright light on the horizon. The sun’s rays burst through the broken cloud like a fan. It was extraordinary; and a few seconds later, the clouds moved on and the effect disappeared. But I got the shafts of sunlight and that was good enough. The view was framed by the backs of the houses on Montpelier Road and temple Street. I thought “if this isn’t good enough for a Facebook group called ‘Brighton Skies’ then I don’t know what is.” I added a rubric which went something like: “I live in a tiny expensive flat but I never tire of the view so I’m staying”.

The photo was accepted, of course, because it strictly followed the guidelines set out in the rules of the group. What I wasn’t prepared for was its popularity. The last time I checked, it had 700 likes and counting. This is a small number in the grand scheme of things but for me it counts as going viral.

I was commended by many commentators for being happy with my circumstances but I found that the remarks from the moaners were what really cheered me up. “Call that a view its rubbish” and “those houses could do with a good clean”, etc. And this is why I’m not going to be leaving Facebook any time soon. There is no view so glorious that someone won’t try pissing on it.

Everything you ever wanted to know about life in Brighton (OK, and Hove)