Tag Archives: Hope and Ruin

Music Review: Gloma at the Hope & Ruin by Alex Hill

It was one of those instances where you feel you’re being undeservedly spoiled. The Hope and Ruin had a gig on – nothing unusual, granted – the fact that four bands were on the bill and it was completely free however made it seem like an astoundingly good deal. I cleared my schedule of whatever plans I might’ve had on a Sunday night to embark on this four hour long musical extravaganza (bring your camping chair!). The fact I hadn’t heard of any of the bands playing made the whole thing even more intriguing. 

From what I could work out, the headliners were Gloma, and the occasion was the release of their brand-new EP. Uncharacteristically, I decided to do some prior research and came across the music video for Gloma’s new song “Gossamer”. I liked what I heard, and the fact that they were all donning ski masks for the inverted colour video shoot out in the woods created a first impression of a much more intimidating looking version of Kneecap, perhaps. Or a homemade take on Slipknot. I digress. 

The first band was an alternative metal trio named Sunlifter; they were heavy and emotive in equal measure. Contradicting their intense and well-polished sound with heartwarming sentiments (“This next song is about love, so hug the person next to you”… everyone did). Three-piece bands are always fun to watch because they have usually achieved some kind of mastery of their instruments – and these guys are no different. 

Teasing into the next band when their singer was brought on stage for Sunlifter’s last song – the second band in the list were a crazy, screamo-metal band. Quite unexpected really; at this point was also where the whole show got very mosh-pit oriented. Not good when you’ve got half of a £6 pint left in your hand. Mashed were extremely heavy; the singer had seemingly unending energy as he bounded round the stage screaming at the top of his lungs the entire time, how do they do it? I was just thinking how they sounded very nu-metal and Korn-esque when they announced their final song and burst into a faithful cover of ‘Blind’ (with a bit more screaming).  

Seethes’ brand of churning, thumping heavy metal was a hit on stage. Once again, very intense – screams of ‘no mercy’ echoing the room before a breakdown of pounding drums and slow, heavily distorted guitar and bass. Despite my thirst, I was too apprehensive to buy another drink at this point; any unfortunately swung limb from the mosh pit could have led to disaster. 

The big headliners; Gloma delivered on the anticipation with their unique mix of shoegaze and heavy metal. Artfully switching between slow, atmospheric and jangly to heavy and fast paced with a bass heavy, whirring guitar sound.  I was pleased to see they wore the ski masks on stage, and their new single is great. They’re relatively small at the moment, but I reckon these guys are going places. 

All in all, it was a very good night. Maybe It wouldn’t be my first choice to see a stack of high energy, vicious heavy metal bands like this lot – as evidenced by my missing the memo on the dress code – but I did enjoy myself. And it was free. Did I mention that? There’s often plenty of free gigs showing off the Brighton up-and-comers which are always worth going to. Life’s a journey of discovery after all. 

The Great Escape by Alex Hill

Down every street in the city, venues are alive with the sound of live music and hordes of people queue outside standing around talking and smoking. It was, of course, The Great Escape. Over 450 different acts taking the stage in all the best pubs and clubs over four days.

If the weather plays nicely, there’s nothing like a Great Escape weekend. You set out with an idea of going here to see that, but then you meet someone who says you really should go there to see something else and then… Well, who knows  what happens then.

A typical Great Escape night tends to include a lot of drifting around venues in search of a band you’ve never heard but you’ve heard of. And as you’re halfway there, maybe going to the Hope & Ruin, there’s an alert on the phone app. The venue’s full. There’s a queue. Maybe you’d like to go to The Green Door Store instead.

It truly is a cross-city festival, and you may just find yourself doing that; especially during the particularly busy times if you’re intent on finding new and exciting gigs like I was. If you don’t mind the strain on your legs, and if chancing upon interesting new sounds is something that grabs your fancy, then the festival is definitely for you. You’re bound to discover many great bands you were previously unaware of.

You’re not always guaranteed to find that gig you were hoping to see. Late one night, feeling dejected due to not having the required wristband for a gig near the seafront – something the festival app neglected to tell us – myself and a few friends ended up at the Fiddlers Elbow for a curiously busy gig. We found ourselves in the company of an obnoxiously loud garage rock gig which was awfully mixed by the sound engineer and with frankly poor song writing from the band (who were, I believe, from Canada). The band just weren’t that great, but weren’t helped by long and droning instrumental parts drowning out the vocalist and… It was all too loud. We escaped, checked our timetables only to discover to our own chagrin that there weren’t any more gigs on – onto the next day.

Organisation is key to having a great Escape. A friend had an Excel sheet – really, an Excel sheet. All times and places and descriptions. I didn’t have an Excel sheet. I had a friend who said we had to go to Jubilee Square to see hot local band Slag. We got there to find that hot local band Slag were playing Jubilee Square. Or rather, had played Jubilee Square. Yesterday. Instead, we saw Azamiah, a smooth, laid-back jazz funk band. Good, but not as nature intended. Next year, Excel.

The Hope and Ruin was religiously hosting gigs, in both the upstairs and downstairs bar and I saw a lot of good bands here I’d never heard of before. No complaint from me. That’s the other thing about The Great Escape. You get to see loads of bands and very possibly you were told who they were and very probably you really remembered who they were and… who were they?

The bands at the Hope where all punk and hardcore; screaming the house down and getting the audience fired up. With each band delivering half an hour sets, I think I saw four or five different bands here – Pleasure Inc.from Norwich played funky headbangers with a Rage Against the Machine type feel; Jools were an intense, dual vocalist modern hardcore band; Really Big Really Clever were a midwestern emo sounding four piece who made the crowd go wild. The Molotov’s were also playing, but they were stuck upstairs.

In Green Door, where the uneven cobbled flooring tends to make your night a bit more like you’ve had a drink when you’ve drank enough to make you unsteady, various great bands played as part of both the Alternative Escape and the main festival. With so many gigs on in such a short time frame, it’s quite hard to plan where to go; especially with so many overlapping time slots – navigating the festival effectively requires incredible foresight I seemed to lack as a first timer. Next year, Excel.

My feet were complaining, my head also a little, but had a fantastic time and saw loads of great bands I otherwise wouldn’t have had the chance to see. It’s probably been said before, but if the weather plays nicely, there’s nothing like a Great Escape weekend.