Tag Archives: writing

Andrew Clover: Talks to the trees

The Hidden Life of Trees, Peter Wohlleben’s 2016 bestselling novel may have revealed trees talk to each other: but what would trees say to us? 

Yes… the idea seems odd – but it wouldn’t to Druids, The Sioux, or early Buddhists. It’s no surprise that the Buddha found nirvana by the Bodhi Tree, or that the Old Irish word for oak is duir: a druid is someone who connects to the oak – which brings wisdom, strength, and – even – vision.

But how does this work? How would you do that? Well…

1) Walk to your favourite oak. Already you’ll be feeling good. (Trees’ dappled light calms the mind; they emit chemicals that boost our immune systems). 

2) Greet your oak in some way. I fancy they like a hum. So I place lips and heart, and hum the question, “Can I sit, and be your sapling?” 

3) Most oaks will seem to say “Yes”. (Most yews will tell you to sod off). 

4) Sit, shut eyes, breathe slowly out. This stimulates the parasympathetic nervous system – releasing oxytocin – the body’s own version of the valium.

5) Meanwhile, mouth the seven magic words, ‘I breathe down and push down roots’. You’ll get a sense of fears and worries being drained down into the earth. 

6) Breathing up, mouth: “I breathe up and breathe up strength”. Imagine energy coming up, from the ground, filling your chest, your head, and passing up into the oak’s strong trunk. (By now you’ll be feeling way stronger).

7) Next time, breathe up to the oak’s calmly spreading boughs, mouthing, “I breathe up and breathe up calm”.

8) Next, breathe to the oak’s playfully wiggly twigs. In Latin, the oak was called quercus: and the oak is quirky. It’s the playful grandad of trees. Mouth, “I breathe up and breathe up lightness”.

9) Now, don’t hurry. If the oak might wish you to do one thing it’s that -never hurry. But when you’re feeling very calm indeed, breathe on the essential invitation the oak offers: think, “I am safe, to imagine, the future, that I need”

10) Let your imagination fly, like a bird, five years into the future. Imagine a tree, growing by the house, that you need. How big is it? What can you see in the garden?

11) Imagine entering its front door. What’s the floor like? 

12) You might see a photo of you, on the wall. What are you doing?

13) When you’ve returned home later, write down what you saw. The oak is known as The Gatway To The Mysteries. Your vision could be the start of something. 

Perhaps imagine the oak as Phil Oakey, singer of The Human League, a strange but trusted figure, inciting you to Open Your Heart. Imagine its rutted trunk is leading you into a better future. And it may.

When I first did this exercise, I saw the future I needed involved a shack, surrounded by jungle trees, that I’d helped plant, which, a year later, inspired me to sail the Atlantic, to plant 2500 trees. I lead this meditation, once, for a coaching client, who saw herself creating a company to empower female sport. Six months later, she’d raised a hundred million in investment. 

Now… hang on… I’m not saying breathing on trees makes you rich. Far more likely, you’ll embrace the lesson of the chestnut, “I want nothing… I have it all right now.” I’m just saying that there’s powerful magic, in the oak – and in all trees. 

And that connecting to them can bring a powerful, quirky magic into your life.

What’s your favourite tree? Would you like me to walk to it with you, to tell something of its magic? If so, get in touch. You’ll know what I’ll say. 

mrcloverthefamoussnail@gmail.com 

David Bramwell tells the story of The Catalyst Club

Back in the noughties TV seemed to be awash with things like Room 101, An Idiot Abroad and Grumpy Old Men, programmes that reinforced an already stablished British stereotype  – having a right good moan. Comedians like Jack Dee peddled misanthropy, as did best-selling books like Is It Just Me Or Is Everything Shit? Despite having agreed to be on the programme in the first place, Stephen Fry chose Room 101 to put in Room 101. Something we shared was a disdain for privileged celebrities on the radio and telly, bitching and complaining. (In true circular fashion, Steve Lowe who co-wrote Is It Me with Alan McArthur, later gave a talk about it at The Catalyst).

Having spent my formative years in Brighton in the early 90s going to spoken word, cabaret and open mic nights – and loving the inclusive, grass roots aspects of these  – I had an idea that an event I’d like to go to would be the antithesis of Room 101: a night where people from different walks of life shared their passions with a live audience in the form of an entertaining 15-minute talk or presentation. Topics would remain a secret, only to be revealed on the night: the best talks after all are rarely down to the subject but the speaker themselves. The only problem was – the night didn’t exist. So I decided to set it up myself. 

The Catalyst Club began at what is now the Rossi Bar on Queen’s Road, with three friends having kindly agreed to come and speak. One chose the history of the Martini, another ‘sex and classical music’ and a third told us about a road trip round the states with his band. From hereon I never looked back and have never been short of guests or new topics. 

Over the next 19 years the Catalyst Club ran at the Latest Music Bar clocking up over a thousand talks from speakers whose ages have spanned from 16 to 93 and topics that have ranged from the ridiculous (musician Ron Geesin’s collection of 10,000 adjustable spanners) to the sublime (Sally’s Kettle’s heroic account of how she rowed across the Atlantic with her mum and made it into the Guinness Books of Records). From alchemy and Hove’s secret blancmange history to Cornish Rap and the books of Patrick Hamilton, the knowledge and passions of Brightonians seem to know no bounds. 

Quentin Crisp once said that there is no such thing as a boring person, merely our need to ask more interesting questions and be better listeners. We all have our unique personal stories to tell, our singular passions to share. And you don’t have to be an academic to share your interests at the Catalyst Club or be a professional performer. 

Sometimes these qualities can be a distinct disadvantage, masking our ability to speak from the heart. It is what we do for the love of it that really matters. Of course for some folk public speaking is on par with root canal work or being trapped in a lift with Jacob Rees Mogg. It’s ok to come and just be a punter. Though it needs to be said that the Catalyst Club has nurtured a few nervous speakers over the years. One, despite saying, ‘never again’, has since travelled the world giving talks on underwater photography. 

In 2016, in collaboration with BBC Radio 4’s Archive on Four we explored the theme of public speaking, offering advice from the most practised to anxious newbies. My favourite was a speaker called Charlotte whose topic was ‘The Terrible Knitters of Dent’ and whose advice was, ‘three pints of cider hits the sweet spot.’ 

This year, Brighton’s Catalyst Club celebrated its 20th anniversary. I never imagined it would last this long. Our new home – for now at least  – is the Nightingale Room above Grand Central. Coming up in November we have magician Paul Zenon, hypnotist Danny Nemu and cinephile Linsay McCulloch. All are welcome. You never know what you might learn. 

l The next Catalyst Club is Thurs Nov 7 at the Nightingale Room Above Grand Central doors 7.30pm 

l To sign up to the Catalyst Club mailing list visit: 

catalystclub.co.uk or drbramwell.com 

A Brighton Catalyst Club and Cinecity Special: Horror on the Pier! 

Occasionally The Catalyst Club likes to go rogue and host a themed special in which we do share the topics for the night. In collaboration with Brighton’s Cinecity Festival we’re doing a horror special at the end of Brighton Pier. Our guest speakers for are cinephile Mark Keeble, who’ll be giving a tour of his favourite classic horror anthology films; Alexia Lazou on the three Kings of Horror – Christopher Lee, Peter Cushing and Vincent Price, while Horror actor and TV presenter Emily Booth (Pervirella, Cradle of Fear) will be sharing her personal journey through horror and dipping her claws into a few classic black and white horrors to discover if sometimes, less is more. 

Thursday Nov 14th 8pm-10pm £10 

Horatio’s Bar, Brighton Pier 

A beautifully-designed compendium of biographies, Bramwell leads us on a picaresque ride unearthing an artist’s pilgrimage around the world with a giant, inflatable ‘deadad’; the world’s biggest treasure hunt, an extraordinary eleven-year odyssey involving Evita’s mummified corpse, an ethnobotanist’s search for the psychedelic secrets of the Amazon and a couple who walked the Great Wall of China from opposite ends, only to spilt up when they finally met in the middle. It all ends with a At the very end is a Brighton-based graphic novella that incorporates the town’s hidden river, Aleister Crowley’s ashes and the occult talisman, the Hand of Glory. There’s also a story about Andy Warhol’s penis ending up on the moon – but I’m not sure we’ve got room for that here. 

l https://oddfellowscasino.bandcamp.com/merch/outlandish

The Coast is Queer – the UK’s biggest festival of LGBTQ+ literature

It’s three days of lively conversations, panels, workshops, performances and films celebrating some of the best and brightest LGBTQ+ writers. The first festival of its kind in the UK, The Coast is Queer aims to create a space for queer readers, writers and allies to come together in a grassroots celebration of the written word and its ability to illuminate and enrich the life of the queer community.

The Coast is Queer Festival is a collaboration between New Writing South and Marlborough Productions, and is funded by Arts Council England. The line-up includes a opening event on Thursday 10 October celebrating 30 years of DIVA Magazine – Telling Our Stories – Then & Now – with DIVA’s Roxy Bourdillon, Gay Times’ Reeta Loi, and Attitude’s Matthew Todd, chaired by Paula Akpan.

Friday’s events – partly curated by students from Sussex and Brighton Universities – feature panels exploring Queer Fantasy Writing and Writing Queer Stories for Multiple Generations. 

Also on Friday, there’s Politics and Hope with Leah Cowan, Amelia Abraham and Sharan Dhaliwal, and a dive into Queer Nightlife with historians, DJs and authors Daren Kay & Alf Le Flohic, Dan Glass, and DJ Paulette chaired by Kathy Caton. Rounding off Friday’s festivities, the artist in residence AFLO the Poet hosts an Poetry Open Mic event featuring some of the most exciting queer poets writing today. Workshops on Friday cover: Pitching to Agents, Self-Publishing, and Reading and Performing for Live Audiences.

Saturday is full, packed with panels, in-conversations and workshops including Liberating the Queer Canon with H Gareth Gavin, Adam Macqueen and Julia Armfield; Writing for Performance with Matilda Feyisayo Ibini, Charlie Josephine and Alexis Gregory, chaired by Debbie Hanna. Later, there’s wild intrigue with Environmental Writers Roma Wells, Mike Parker and Natasha Carthew. Lotte Jeffs, Stu Oakley and Ben Fergusson will talk Queer Parenting.  Sex, Lust and Romance is the distinctly queer theme of a Polari Prize legacy panel featuring Paul Burtson, Jon Ransom, Nicola Dinan and Viola Di Grado and Saleem Haddad’s stunning film, Marco will be screened with a director’s Q&A.

Novelist, screenwriter and Sunday Times Number 1 Bestseller Juno Dawson returns with another edition of her Lovely Trans Literary Salon, this time featuring Kuchenga Shenjé, whose debut novel The Library Thief has taken the publishing world by storm and the day will culminate with the David Hoyle Does The Classics Cabaret and three new young-artist commissions.

Workshops and additional events on Saturday include a Print Workshop, a Work in Progress Breakfast, a Private Rites Book Club event in collaboration with Brighton’s Real Writer’s Circle and Julia Armfield and a buzzing book launch for Lea Anderson’s exquisite Cholmondeleys & Featherstonehaughs.

The Festival rounds off with a fascinating line-up of events including a Queer Memoir panel featuring Dean Atta, Karen McLeod and Juano Diaz, chaired by literary agent Abi Fellows; a Celebration of James Baldwin’s Life and Work with Mendez and Douglas Field chaired by Campbell X; an inspiring poetry workshop and a joyful closing event celebrating Radical Hope – a smorgasbord of spoken word, performance, films, activities and keynotes designed to excite, inspire and make you feel  connected to the queer literary community.

Short films featuring the best new queer film makers will be programmed throughout the weekend and Queer Heritage South will be running ingenious pop-up history club activities. 

The Coast is Queer is a significant event for LGBTQ+ literature. Over 5,000 people have enjoyed and been inspired by moving and exhilarating events from over 150 writers since 2019. Past speakers include Douglas Stuart, Sarah Winman, Juno Roche, Leone Ross, Alan Hollinghurst, Okechukwu Nzelu and Travis Alabanza.

Lesley Wood, CEO of New Writing South said: “We’re delighted to bring some of our most thrilling LGBTQ+ writers to Brighton again for The Coast is Queer. Now in its fifth year, the 2024 festival promises an abundance of big ideas, lively discussions, challenging debate… and above all else, radical hope… with a good dose of queer joy. Spread across three days in the perfect festival setting of ACCA, there will be something for everyone – book events and literary talks, cabaret performances, storytelling events, short films, extraordinary workshops, a wonderful book group and much more. All designed to celebrate and find joy in LGBTQ+ writing.”

Buy tickets at http://www.coastisqueer.com and follow on Instagram at @coastisqueerfest

http://www.attenboroughcentre.com/

Writing Competitions

Community of WritersWe are two Brighton-based writers, who have just set up our own website. It is called the Brighton COW. (The COW part stands for ‘Community of Writers’.) We are aiming to promote new writers and writing through a range of competitions. We will run several short story and flash fiction competitions throughout the year, some with an open-theme, some with specific ones. We are planning some fun free-to-enter contests too.

Our first writing competition has an open theme with a 3,000 word limit. There are three prizes to the top three winning writers of £100, £50 and £25. There will also be the opportunity for the stories to be published on our website as well as being recorded for Brighton’s Coastway Hospital Radio, which provides music and entertainment to a network of Brighton hospitals. The competition is just £4 (four pounds) to enter, via PayPal or cheque, and the competition is open to writers worldwide. Stories can be submitted online along with payment or by post with a cheque. The deadline is 1 November 2010.
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