Category Archives: Andrew Polmear

Stories and news about Wine & Cheese

Poetic Wine Descriptions…

…do they mean anything?

In the August/September 2012 edition of The Whistler I gave suggestions about how to describe a wine. Since then I’ve been looking at the issue from the other direction: reading wine writers’ comments to see how many words they use that really mean something to the general reader.

Descriptions in restaurant wine lists and on wine bottle labels are pretty disappointing. ‘Charming’, ‘quaffable’, ‘classy’ etc don’t mean anything except ‘there is nothing good I can find to say about this wine’. Continue reading Poetic Wine Descriptions…

Wine – a question of taste

I spend (even) more time pondering this question than I do the nature of the universe. Every now and then I taste a wine and understand more than I did before; and one such occasion was at a wine tasting in London recently. Paco Casas, the wine-maker from Pago de los Capellanes in Ribera del Duero, gave us five wines to taste and his description of what he had done differently to make each of these tallied so beautifully with how they tasted that I felt I understood what is so often a mystery.

To go back a step: Ribera del Duero (“banks of the Duero river”) is in north central Spain. At 800 metres it’s cold in winter, hot in summer, bone dry for months then flooded by torrential rain. Its redeeming feature is the Duero river which makes wine-making possible. At Pago de los Capellanes they make five different red wines, all using only the tempranillo grape, yet all tasting different. How can that be?

Paco started the tasting with his basic wine, called Joven 2012 (meaning “young” – there’s nothing fancy about naming at Pago de los Capellanes). It’s a mixture of juice from 40 parcels of vineyards across the estate. It’s fermented in stainless steel vats then matured for 5 months in French oak; after that it’s bottled and ready for drinking. The wine is a rich red colour with a lovely fruity tempranillo flavour. It sells in England at £15 a bottle and it’s worth every penny.

However, it’s the cheapest of the Pago wines. The Crianza 2010 comes from different parcels of land, the vines are older and have already demonstrated their ability to produce wine of greater potential. The huge fruit flavour is still there but modified to a greater elegance that comes from longer aging in oak – 12 months this time. It’s the flavour sometimes referred to as ‘leather’ or ‘cigar box’. It sells for £22.

So it goes on. Reserva 2010 comes from just two parcels of land, with vines aged 40 years and 85 yWineears old. The wine is aged in oak for 18 months. The interaction between wine and oak is more intense. El Nogal 2009 is from just one parcel of land and is only made in favourable years when the grapes are small and the juice especially concentrated. It’s fermented in oak barrels, not steel, then aged in oak for 22 months. It’s decanted every 6 months into a new barrel, using a different type of French oak (isn’t that fancy?). The cigar box flavour is softer, while the fruit is still intense. Finally, El Picon 2009, made from the best parcel of land on the estate, and only made in good years, is fermented in oak then matured in barrels for 26 months, and is the top of the range. “Huge perfection” I wrote in my notes. Wine critics have likened it to a great Bordeaux. It’ll easily keep for 25 years (and costs about £140).

So what was my great insight? Of course the terroir is important. There’s something about that parcel of land – its mix of clay, limestone and pebbles – and its exposure to sun and wind, that gives grapes from El Picon the potential to make the greatest wine. Paco couldn’t make a great wine from Joven however hard he tried. But what was special about this tasting was to see how exposure to oak, and the time spent in the barrel as well as the bottle, develops that potential – and justifies the enormous price tag.

 

Andrew Polmear

Naked Wines

If I were to write “I’m a Naked Angel’ you might think I’m a columnist desperate for the reader’s attention. But the truth is that I am a Naked Angel, along with 125,000 others in the UK.

Naked Wines is an online wine seller with a difference: they take your money in advance, invest it by funding winemakers upfront, and sell you their wines for a price that, as value for money, beats the supermarkets. They are Naked because they aim for transparency (and they want to cash in on that use of the word that Jamie Oliver made fashionable) and we are Angels in the sense that is used in the entertainment world – people who fund something upfront which could not otherwise be made. Sounds great; but is it just another online wine club with a fancy way with words?

Continue reading Naked Wines

My Approach to Enjoying Wine

Attentive readers of this column will have noticed a philosophy of wine appreciation emerging. When I started writing I didn’t know I had such a thing, but that’s part of the joy of writing: it forces you to decide where you stand. So here is my advice to someone interested in getting more out of drinking wine than they do at the moment.

I think this is wine
Teach yourself. Your preferences are unique to you and they can never be wrong. Forget the scoring systems that give one wine 92 points and another 93. A wine can’t be better than another in the way one washing machine is better than another. Forget the tasting notes, where one expert finds notes of bramble and over-ripe fig while another finds, in the same wine, tobacco and chocolate. Ask just two questions: do I like it and does it have enough character for me to recognise it again? Which leads to the second piece of advice:
Continue reading My Approach to Enjoying Wine

Storing Wine at Home

It was a relief when the Powis Road branch of Victoria Wine closed a few years ago; not because it was no good but because it used to upset me, every time I walked past, to see bottles of wine exposed in the front window to the afternoon sun. Exposure to heat and light will soon spoil wine. It’s something I worry about when I think of my own small collection of wine at home, even though it’s kept in an unheated north-facing room.

Conventional wisdom states that wine should be stored at between 10 and 15 degrees centigrade, in the dark. But does this matter when the wine is being kept for just a few months before being drunk? I’m not thinking of buying wine to lay down for ten or more years, just wine that you buy by the case and want to drink over the next few months.
Continue reading Storing Wine at Home